Преглед 100 најбитнијих уметничких остварења у 20. веку:

• Pablo Picasso, Les Demoiselles d'Avignon (Cubist: 1907): the geometry of naked French ladies.
• Pablo Picasso, Guernica (Surrealist: 1937): screaming horse and severed heads.
• Umberto Boccioni, Unique Forms of Continuity in Space (Futurist: 1913): lumpy multi-dimensional walking.
• Marcel Duchamp, Nude Descending a Staircase, No. 2 (Futurist: 1912): downhill kaleidoscope.
• Vladimir Tatlin, Monument to theThird International (Russian Constructivism: 1919–20): steel-framed ziggurat
• Salvador Dali, The Persistence of Memory (Surrealist: 1931): limp watches.
• Constantin Brancusi, Bird in Space (1928): smooth and shiny, pointy and skinny.
• Robert Smithson, SpiralJetty (Conceptual Art: 1970): coil of rocks in the water.
• Gustav Klimt, The Kiss (Art Nouveau: 1907–08): sparkly cape.
• Marcel Duchamp, The Bride Stripped Bare by Her Bachelors, Even (Dada: 1915–1923): shiny things on glass.
• Marcel Duchamp, Fountain (Dada: 1917): urinal.
• Rene Magritte, The Human Condition I (Surrealist: 1933): a painting of a painting in a window
• Paul Cezanne, Mont Ste-Victoire (Impressionist: 1904–1906): vague hilly landscape.
• Constantin Brancusi, The Kiss (Transcendentalism: 1908): two lovers fused into a block.
• Richard Hamilton, Just What Is It That Makes Today's Homes So Different, So Appealing? (Pop Art: 1956): cheesy muscle man and stripper.
• Willem de Kooning, Woman I (Abstract Expressionist: 1952): the ugliest picture ever painted ever. In fact, you have to admire the skill with which the artist managed to rid this painting of anything asthetically pleasing.
• Max Ernst, Elephant of the Celebes (Surrealist: 1921): steam powered pachyderm – or long-necked cow.
• Edward Hopper, Nighthawks (American Realist: 1942): diner, outside looking in.
• Henri Matisse, The Dance (Fauvist: 1910): ring around the rosey.
• Max Beckman, Departure (Expressionist: 1933): king and dungeon
• Jasper Johns, US Flag (Neo-Dada: 1958): three flags in one
• Jackson Pollock, Autumn Rhythm (Abstract Expressionist: 1950): orangey brown dribbles.
• Marcel Duchamp, Bicycle Wheel (Dada: 1913): spokesmodel
• Ernst Ludwig Kirchner, Berlin Street Scene (Expressionis­t: 1913)
• Paul Cezanne, The Large Bathers (Impressionist: 1905): mob of riverside nudes.
• Gustav Klimt, Judith and Holofernes (Art Nouveau: 1901): sultry woman holding a severed head.
• David Hockney, A Bigger Splash (Pop Art: 1967): backyard pool.
• Henri Matisse, Luxe, Calme et Volupte (Fauvist: 1904): seaside nudes on a hot day.
• Giorgio de Chirico, Melancholy and Mystery of a Street (Surrealist: 1914): shadow from around the corner.
• Meret Oppenheim, Object:Lunch in Fur (Dada: 1936): FuzzywareВ®
• Joan Miro, Birth of the World (Surrealist: 1925): bike and balloon or sperm in smog.
• Max Ernst, The Robing of the Bride (Surrealist: 1940): nude bird ladies.
• Raymond Duchamp-Villon, Horse (Futurist: 1914): machine, tendon.
• George Bellows, Stag at Sharkey's (American Realist: 1907): sweaty boxers (not the dogs and not the underpants)
• Jasper Johns, Target with Four Faces (Neo-Dada: 1955)
• Umberto Boccioni, The City Rises (Futurist: 1910): tornadoes in red.
• Henri Matisse, The Joy of Life (Fauvist: 1905–06): stop spying on my dreams, dammit!
• Mark Rothko, Orange and Yellow (Abstract Expressionist: 1956): orangey yellow splotch.
• Roy Lichtenstein, M-Maybe (Pop Art: 1965): worried comic book woman.
• Joan Miro, Composition (Surrealist: 1933)
• Andy Warhol, Marilyn Diptych (Pop Art: 1962): movie star worship
• Andy Warhol, Campbell's Soup Can (Pop Art: 1962): exactly what it says.
• Carlo Carra, Funeral of the Anarchist Galli (Futurist: 1911): vibrating red mob.
• Wassily Kandinsky, Composition VII (Der Blaue Reiter: 1913)
• Ernst Ludwig Kirchner, Five Women in the Street (Expressionist: 1913): with feathered hats and fur-trimmed coats.
• Pablo Picasso, Portrait of Ambrose Vollard (Cubist: 1909–10): lumpy face
• Claude Monet, Waterlilies (Impressionis­t: 1907)
• Henri Rousseau, The Snake Charmer (Primitive Art: 1907): flute-playing satyr in the jungle.
• Edward Hopper, Early Sunday Morning (American Realist: 1930): lonely urban storefronts.
• Aristide Maillol, The Mediterranean (1902–05), pensive woman, solid.
• Georgia O'Keefe, Black Iris:[] (American Realist: 1926): flower, really close-up
• Pablo Picasso, The Three Dancers:[] (Cubist: 1925)
• Grant Wood, American Gothic:[] (American Realist: 1930): ma, pa, pitchfork.
• Paul Klee:[], Twittering Machine:[] (Blaue Reiter: 1922): a wagon full of snappy stick critters.
• Yves Klein, Anthropometry Performance:[] (Neo-Dada Performance Art: 1960): nude women frolicking in paint. I may not know art, but I know what I like.
• Edvard Munch, Dance of Life:[] (Expressionist: 1900): unhappy lawn party.
• Diego Rivera, The Arsenal: Frida Kahlo Distributes Arms:[] (Socialist Realist: 1928): heroic peasant revolt.
• Vera Mukhina:[], Worker and Farm Girl:[] (Socialist Realist: 1937): heroic Commies.
• Alberto Burri, Sacking and Red (1954): pile of burlap.
• Andrew Wyeth, Christina's Wor­ld:[] (American Realist: 1948): girl in field.
• Giacomo Balla, Dynamism of a Dog on a Leash:[] (Futurism: 1912): enthusiastic dachshund.
• Francis Bacon, Head Surrounded by Sides of Beef:[] (Expressionist: 1954): pope and meat.
• Pierre Bonnard, Nude in Bath:[] (Impressionist: 1936): very relaxed (with dog)
• Francis Picabia, Amorous Parade:[] (Dada: 1917): happy machines
• Max Beckmann, Self-portrait with a Red Scarf:[] (1917): creepy boy scout
• Christo, Surrounded Islands:[] (Conceptual Art: 1980–83): floating pink in Biscayne Bay
• Fernand Leger:[], The Builders:[] (Cubist: 1950): hardhats and girders
• Pablo Picasso, Girl with Mandolin:[] (Cubist: 1910): refracted banjo player.
• Henri Matisse, Harmony in Red:[] (Fauvist: 1908): setting the table
• Wassily Kandinsky, Improvisation No. 30:[] (Abstract Expressionist: 1913)
• Robert Rauschenberg, Retroactive I:[] (Neo-Dada: 1964): JFK and astronauts
• Henri Matisse, The Green Stripe:[] (Fauvist: 1905): portrait of the old lady.
• Giorgio de Chirico, Uncertainty of the Poet:[] (Surrealist: 1913): torso and bananas
• Piet Mondrian:[], Composition with Red, Yellow and Blue:[] (De Stijl: 1930): strictly divided space.
• Juan Gris, Homage to Pablo Picasso:[] (Cubist: 1912)
• Raoul Hausmann, The Spirit of Our Time:[] (Dada: 1919): mechanical head.
• Jackson Pollack, Blue Poles:[], (Abstract Expressionist: 1948): squiggles – now with lines!
• George Grosz, Gray Day:[]: banker, veteran and ditch-digger, to work. (New Objectivity: 1921)
• Robert Delaunay, The Eiffel Tower:[] (Cubist: 1911)
• Kurt Schwitters, Merzbild 25A, The Star Picture:[] (Dada: 1920):
• Joseph Kosuth, One and Three Chairs:[] (Conceptual Art: 1965)
• Henry Moore, Reclining Figure:[] (1929): lumpy lady.
• Pablo Picasso, Self-Portrait (Cubist: 1903)
• Francis Bacon, Study of Red Pope:[] (Study from Innocent X) (1962)
• Umberto Boccioni, States of Mind I: The Farewells:[] (1911)
• Umberto Boccioni, The Noises of the Street Invade the House:[] (1911)
• Judy Chicago:[], The Dinner Party:[] (1974)
• Alberto Giacometti, Walking Man:[] (1960): spindly stick man.
• Henri Matisse, Blue Nude:[] (Fauvist: 1952)
• Marc Chagall, I and the Village:[] (1911): happy farm montage.
• Lucio Fontana, Spatial Concept (1951): gash in red.
• Ad Reinhardt:[], Black Painting:[] (Abstract Expressionist: 1960–66): solid black square, I kid you not. The man hikes down to his local Home Depot, buys a bucket of Sherwin-Williams, and slaps it on a canvas. And it took him six years to do it.
• Peter Halley, CUSeeMe (1995)
• John Heartfield, Hurray, the Butter is Gone!:[] (Dada: 1935): hungry Nazis.
• Eduardo Paolozzi, I was a Rich Man's Plaything:[] (Neo-Dada: 1947): movie poster.
• Dorothea Tanning, A Little Night Music:[] (Surrealist: 1946): unwholesome playground. Children in a hallway.
• Damien Hirst, The Physical Impossibility of Death in the Mind of Someone Living:[] (Post-Modernist: 1991): shark in a case
• Jenny Holzer, Protect Me From What I Want:[] (Conceptual Art: 1985–86)
• Hermann Nitsch, Orgien Mysterien Theater:[] (1985): Jesus and meat.
• Giorgio de Chirico, Song of Love:[] (Surrealist: 1914): mask of Alexander the Great and rubber glove. I'm afraid to ask what this has to do with love.